7cn – This fifty-nine-year-old L-7CN weighs only 5.80 pounds and is one of only twenty-one examples produced in 1957 (only 413 L-7CNs were produced between 1949 and 1958). Seventeen inch wide body with hand cut close grain spruce top, two piece lightly flamed maple back and sides. The two “f” holes are bordered in white. Two-piece “lightly flamed” maple neck with mahogany center strip with a 1 11/16″ nut width, 25 1/2″ scale length, and an incredibly thick profile. Brazilian rosewood fingerboard with original 20 thin frets and double parallelogram position markers with pearl inlays. The top and back of the body are triple bound, the fingerboard and headstock are single bound. Headpiece with pearl “Gibson” logo inlay and pearl crown inlay. Bell-shaped single-layer black plastic buckle cover secured with two screws. Black laminated widow’s peak on the back of the headstock. Individual Kluson Deluxe “One-Line” Tuners with Single-Ring Plastic Keystone Buttons (stamped on bottom “D-169400 / Patent #”. Original Five-Ply Pickguard Black/White/Black/White/ black.Frecked rosewood bridge over rosewood.Standard trapezoidal base and stern with three raised parallelograms on the crossbar.Original oval orange label inside bass F hole styled “L7-C” written with black ink and the serial number “A-25971” stamped in black. Inside the high hole, the FON (factory order number) “U 6783 9” is stamped in black. This beautiful guitar is in near perfect condition (9.25) with only minimal very visible pitting on the back (nothing through the finish) and a small circular indent on the bass horn.The original frets show only light play wear on the first four frets. A truly beautiful and exceptional example with a wonderfully rich and strong tone, by far the best we have ever seen. Housed in Gibson’s original “Faultless” brown “four lock” hard case with light brown “quilted flannel” lining (9.25).
Originally introduced in 1948 as a “flat” version of the L-5. “Extremely popular for orchestral use, the L-7C with its modern cutaway design has exceptional looks and an unusually rich tone. Gibson quality, exclusive features and expert craftsmanship ensure perfection in every construction detail Attractive alternating white-black-white ivoroid Binding: hand-carved top of selected spruce, arched curly maple back with matching curly maple sides Triple curly maple neck, with construction Adjustable Truss Rod – bound rosewood fingerboard with an attractive parallel bead inlay design.Nickel-plated metal parts, Gibson-designed string, laminate pickguard with attractive edge, adjustable rosewood bridge and individual machine heads enclosed with fancy knobs.” (1957-8 Gibson Catalogue).
7cn
“With the L-7, a player could buy a guitar almost as good as an L-5, but not more than half the price. The early L-7s have a matching Nick Lucas flat top fingerboard inlay , which, ironically. , was the top model of the flat top line” (George Gruhn and Walter Carter, Acoustic Guitars and Other Fretted Instruments: A Photographic History, p. 172).
Yamaha 7cn E1193 00 00 Gasket, Head Cover 1; 7cne11930000
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